PREFACE ��.INTRODUCTION: ORIENTATION OF CRITICAL THEORIES ��.Some Co-ordinates of Art Criticism ��.Mimetic Theories ��.Pragmatic Theories ��.Expressive Theories ��.Objective Theories ��.IMITATION AND THE MIRROR ��.Art Is Like a Mirror ��.The Objects of Imitation: the Empirical Ideal ��.The Transcendental Ideal ��.ROMANTIC ANALOGUES OF ART AND MIND ��.Metaphors of Expression ��.Emotion and the Objects of Poetry ��.Changing Metaphors of Mind ��.THE DEVELOPMENT OF THE EXPRESSIVE THEORY OF��OETRY AND ART ��.Si vis me flere ��.Longinus and the Longinians ��.Primitive Language and Primitive Poctry ��.The Lyric as Poetic Norm ��.Expressive Theory in Germany: Ut Musica Poesis ��.Wordsworth, Blair, and The Enquirer ��.Expressive Theory and Expressive Practice ��.VARIETIES OF ROMANTIC THEORY: WORDSWORTH ANDCOLERIDGE ��.Wordsworth and thc Eighteenth Century ��.Coleridge on Pocms, Poctry, and Pocts ��.VARIETIES OF ROMANTIC THEORY: SHELLEY, HAZLITT,KEBLE, AND OTHERS ��.Shelley and Romantic Platonism ��.Longinus, Hazli, Keats, and the Criterion of Intensity ��.Poetry as Catharsis: John Keble and Others ��.The Semantics of Expressive Language: Alexander Smith ��.THE PSYCHOLOGY OF LITERARY INVENTION: MECHANICALAND ORGANIC THEORIES ��.The Mechanical Thcory of Literary Invention ��.Coleridge's Mechanical Fancy and Organic Imagination ��.The Associative Imagination in the Romantic Period ��.THE PSYCHOLOGY OF LITERARY INVENTION: UNCON-SCIOUS GENIUS AND ORGANIC GROWTH ��.Natural Genius, Inspiration, and Grace ��.Natural Genius and Natural Growth in Eighteenth-Century England ��.German Theories of Vegetable Genius ��.Unconscious Invention in English Criticism ��.Coleridge and the Aesthetics of Organism ��.LITERATURE AS A REVELATION OF PERSONALITY ��.Style and the Man ��.Subjective and Objective, and Romantic Polysemism ��.Subjective and Objective in English Theory ��.The Paradox of Shakespeare ��.Milton, Satan, and Eve ��.The Key to Homer's Heart ��.THE CRITERION OF TRUTH TO NATURE: ROMANCE,MYTH, AND METAPHOR ��.Truth and the Poetic Marvelous ��.The Logic of Deviation from Empirical Truth ��.The Poem as Heterocosm ��.Poctic Truth and Metaphor ��.Wordsworth and Coleridge on Personification and Myth ��.SCIENCE AND POETRY IN ROMANTIC CRITICISM ��.Positivism vs.Poetry ��.Newton's Rainbow and the Poet's ��.Poetic Truth and Sincerity ��.Poctry as neither True nor False ��.The Use of Romantic Poetry NoTEs INDEX