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潘諾夫斯基論提香/文藝復興經典書系 版權信息
- ISBN：9787220129704
- 條形碼：9787220129704 ; 978-7-220-12970-4
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>
潘諾夫斯基論提香/文藝復興經典書系 本書特色
本書是潘諾夫斯基晚期藝術史研究的代表作，也是其講座風格的研究方法的典型體現，通過這部著作，我們可以從各個方面來重建潘諾夫斯基的具體研究方法。
潘諾夫斯基論提香/文藝復興經典書系 內容簡介
本書是潘諾夫斯基晚期藝術史研究的代表作，也是其講座風格的研究方法的典型體現。在眾多藝術家中，提香是潘諾夫斯基*喜愛的一位藝術家，也是其傾注精力*多的藝術家之一。從1963年至其1968年去世，有關提香的研究更是構成潘諾夫斯基的一個核心關注點，而這一研究*終集中體現在《潘諾夫斯基論提香》這部著作中。通過這部著作，我們可以從各個方面來重建潘諾夫斯基的具體研究方法。
潘諾夫斯基論提香/文藝復興經典書系 目錄
【目錄】
第1章 導論······································································································· 001
第2章 圣經和圣徒傳的一些問題·································································· ·026
第3章 對位：偽裝的中世紀程式和古典程式················································057
第4章 對時間的反思························································································086·
第5章 對愛與美的反思····················································································106
第6章 提香和奧維德························································································136
附錄······················································································································170
附錄1：關于文獻目錄的一些注釋································································170
附錄2：提香出生日期的問題········································································175
附錄3：卡多雷之戰························································································178
附錄4：提香與塞森格····················································································181
附錄5：伊莎貝拉皇后的肖像········································································183
附錄6：宗教的寓言························································································185
附錄7：羅浮宮的“帕爾多維納斯” ··························································189
索引······················································································································193
圖式［31］之中。
展開全部
潘諾夫斯基論提香/文藝復興經典書系 作者簡介
作者歐文·潘諾夫斯基，美國著名藝術史家，在圖像學領域有突出貢獻，對二戰以后西方藝術史研究有巨大影響，著有《視覺藝術的含義》等。譯者陳輝，哲學博士，中國人民大學哲學院講師，主要研究領域為圖像理論、現象學。
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