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京劇欣賞入門(英)

包郵 京劇欣賞入門(英)

出版社:五洲傳播出版社出版時間:2021-07-01
開本: 16開 頁數: 208
本類榜單:藝術銷量榜
中 圖 價:¥108.9(5.5折) 定價  ¥198.0 登錄后可看到會員價
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京劇欣賞入門(英) 版權信息

  • ISBN:9787508546568
  • 條形碼:9787508546568 ; 978-7-5085-4656-8
  • 裝幀:暫無
  • 冊數:暫無
  • 重量:暫無
  • 所屬分類:>

京劇欣賞入門(英) 本書特色

作者寄語 我十歲進戲校,幾十年間靠“口傳心授”的方式學習京劇表演藝術。許多年后,我開始在課堂里教京劇,卻苦于沒有合適的教學材料讓孩子們能打開更多了解京劇的大門。 后來有了這套《史依弘教你學京劇》的中文版,現在,這本英文版也出來了,希望它能為更多國外的朋友提供一片了解國粹京劇的廣闊天地,愿你們通過這本書了解京劇,喜歡京劇,甚至有一天也可以粉墨登場。 我會在課堂里等待你,也會在劇場里等待你。 史依弘 I entered a folk opera school when I was 10. For decades, I learned the performance art of Peking Opera through the traditional method of “oral teaching that inspires true understanding within”. Many years later, I, too, started teaching Peking Opera in a classroom. But it was hard to find suitable teaching materials to help more children engage Peking Opera. Later, the Learn Peking Opera After Shi Yihong book series was published. Now, it is available in English, too. Hopefully, this will provide an opportunity for friends from overseas to better understand Peking Opera, so that they, too, will fall in love with this “quintessence” of China, and perhaps, one day, even put on the makeup and elaborate costume to ascend to the stage. I’ll be awaiting you in the classroom and at the theater! Shi Yihong

京劇欣賞入門(英) 內容簡介

本書是專為國外讀者打造的京劇知識入門類讀物,圖文相互穿插,深入淺出,具有很強的可讀性。全書分為京劇行當、京劇舞臺藝術、京劇表演藝術等幾個主要部分,通俗易懂地講解京劇相關常識和經典劇目故事,并將京劇與西方戲劇加以比較,幫助外國人了解京劇,學會欣賞京劇藝術的魅力。本書還配有相關內容的短視頻二維碼,掃碼即可欣賞名家名段或了解一些京劇小知識,可增強閱讀的互動性和國外讀者對京劇的感性認識。本書的一大亮點是京劇漫畫家“胖不墩兒”創作的生動可愛的京劇卡通漫畫,以此串聯全書各大部分,增加了閱讀和欣賞的趣味性。裝幀設計考究,特別借鑒傳統京劇舞美元素,讓全書充滿濃郁藝術氣息;四色精裝彩印,內文采用140克高階映畫特種紙,提供給讀者舒適的閱讀體驗。隨書贈送的4枚“生旦凈丑”卡通書簽保證是值得珍藏的藝術小品!

京劇欣賞入門(英) 作者簡介

史依弘,上海京劇院梅派青衣,國家一級演員,師從著名武旦表演藝術家張美娟與戲曲聲樂教育家盧文勤,以及京昆界眾多藝術名家,才貌俊美,文武兼擅。近些年連續推出“占盡風華”“梅尚程荀”全國巡演,相繼在北京、上海、天津、深圳、廣州、重慶、等中國的眾多城市展開。她多年來致力于傳承與弘揚中華傳統文化的精神命脈,堅持繼承與創新國粹,致敬傳統,不斷學習,給觀眾新的成績,同時她也非常重視京劇的普及教育,致力于大力推動青少年兒童的京劇藝術學科的學習。業內外好評不斷,飲譽藝壇。 胡衛,研究員,擔任全國政協委員、上海市政協教科文衛體委員會副主任、民進中央委員、民進中央教育委員會副主任、民進上海市委專職副主委、上海市教育學會副會長等重要職務。1983年畢業于華東師范大學教育系。他長期從事教育理論、政策和實踐研究,先后承擔國際、國內多項重要課題。近年來,他積極呼吁“文教結合”,推動優秀文化進校園、進課堂、進網絡。并依托上海市政協創設“文化創意中心”,與多位藝術家合作成立名家進校園的工作室,推動讓青少年學生和藝術名家面對面。 Shi Yihong is a qing yi actress of the Mei Lanfang School with the Shanghai Jingju Theatre Company. The National Level One actress followed wu dan artist Zhang Meijuan and folk opera vocal trainer Lu Wenqin, while learning from other renowned artists of Peking Opera and Kunqu Opera. Beautiful and talented, she has trained hard to excel in both civil and martial genres. In recent years, she has launched national tours, titled Supreme Elegance (Zhan Jin Feng Hua) and Mei Shang Cheng Xun, performing in Beijing, Shanghai, Tianjin, Shenzhen, Guangzhou, Chongqing and other cities. She has dedicated herself to carrying on and promoting the spiritual heritage of traditional Chinese culture. With full respect to tradition, she continues to innovate and brings audiences new creations. She also pays great attention to promoting Peking Opera, especially encouraging children and teenagers to learn the ancient performance art. Her efforts have been awarded both in art circles and around the country. Hu Wei, a research fellow, is a member of the National Committee of the Chinese People’s Political Consultative Conference (CPPCC), deputy director of the Committee of Education, Science, Culture, Health and Sports under Shanghai’s CPPCC, a member of the Central Committee of China Association for Promoting Democracy (CAPD), deputy director of the Education Committee of CAPD’s Central Committee, CAPD’s special vice-chair with the Shanghai Municipal Party Committee, the vice-chair of the Shanghai Education Society and other prominent posts. After graduating from the Education Department of East China Normal University in 1983, he spent years researching education theory, policy and practice, and undertaking many important projects in and outside of China. In recent years, he has been pushing forward the idea of “combining culture with education”, highlighting the influence of outstanding culture in schools and on the internet. With the help of the Shanghai Municipal CPPCC, he founded the Cultural Innovation Center and set up a studio for artists to enter school campuses where they can meet students face to face.

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