-
>
妙相梵容
-
>
基立爾蒙文:蒙文
-
>
我的石頭記
-
>
心靈元氣社
-
>
女性生存戰爭
-
>
縣中的孩子 中國縣域教育生態
-
>
(精)人類的明天(八品)
符號與傳媒:總第11輯:2015秋季號:11 版權信息
- ISBN:9787561489062
- 條形碼:9787561489062 ; 978-7-5614-8906-2
- 裝幀:一般膠版紙
- 冊數:暫無
- 重量:暫無
- 所屬分類:>
符號與傳媒:總第11輯:2015秋季號:11 本書特色
曹順慶、趙毅衡主編的《符號與傳媒(2015秋季號11)》為研究符號學的學術論文集,收錄相關學術論文約20篇,研究內容涉及符號學前沿理論、符號學在當代文化研究中的應用、國外符號學研究介紹、符號學近著近譯書評等方面,有較高的學術價值,對國內符號學研究有一定的指導意義。
符號與傳媒:總第11輯:2015秋季號:11 內容簡介
本書為研究符號學的學術論文集, 收錄相關學術論文約20篇, 研究內容涉及符號學前沿理論、符號學在當代文化研究中的應用、國外符號學研究介紹、符號學近著近譯書評等方面, 有較高的學術價值, 對國內符號學研究有一定的指導意義。
符號與傳媒:總第11輯:2015秋季號:11 目錄
文學研究如何面對廣義敘述學出現的機遇和挑戰
Narrative Complexity,Character,and Action:Reconfiguring Gender Norms and Genre Conventions in a Police Procedural
電影中的“自由間接引語”及其引發的主體沖突
A Semionarratological Study of Dreams
反諷時代的符號狂歡:廣義敘述學視域下的網絡彈幕文化
認知符號學專輯
Bats out of the Belfry:The Nature of Metaphor,with Special Attention to Pictorial Metaphors
關于認知符號學的思考:人文還是科學?
從人文到科學:認知符號學的立場
認知科學的演進及其與符號學關系的梳理
理論與應用
符號媒介論
Cinertlatic Regimes and the Dsappearing Factory in China
巴黎符號學學派的產生與發展
索緒爾《普通語言學教程》通行版與筆記版比較
對話主義本體:皮爾斯和洛特曼符號學視域中的文化標出性理論
書評
鏡像世界的重構:評宗爭《游戲學:符號敘述學研究》
馬克思主義美學研究的多維度透視:評汪正龍《馬克思與20世紀美學問題》
兩性之維的符號學建構:評尤施卡《性別符號學》
音樂符號學的新進路:評塔拉斯蒂《音樂符號》
符號與傳媒:總第11輯:2015秋季號:11 節選
《符號與傳媒(2015秋季號11)》: All the while, I will be particularly interested in establishing if.there issuch a thing as pictorial metaphors (See Sonesson, 2003).According to Lakoff, metaphoricity depends on cognitive, rather than linguistic,structures, and thus may well be identical for language and pictures as well asother visual s'igns.Indeed, this seems'to be taken for granted by, for instance, Charles Forceville (2004—2009).Among students of pictorialsemiotics, on the contrary, the conclusion has been, as we will see, thatthere can be no pictorial metaphors, although other rhetorical figures are possible.I will suggest, however, that given the functional definition of themetaphor, inspired as much in Max Black (1962) as in Peirce, pictorial metaphors exist, but are differently manifested from those of verballanguage.On the other hand, the picture is an iconic sign, whether it contains metaphors or not, which is to say that all pictures share a property with metaphors, whether pictorial or not: that of being an iconic sign. Metaphor is, together with metonymy, one of the most abused terms ofsemiotics, starting from Jakobson's (1942) equation of the former with the syntagm, and the latter with the paradigm.This amounts to a confusion ofrelationships within sign systems with relationships between particular sign tokens or secondary relationships between signs.Indeed, metaphors, likemetonymies, are either created in a particular given text, or they are stock images, which relate signs, or at least sign contents, in stable relations,whereas syntagms and paradigms are constant primary relationships between signs.Moreover, the similarity present in a paradigm is often simply the position in the syntagm, whereas some more pregnant similarity relation is required in the metaphor. ……
- >
伊索寓言-世界文學名著典藏-全譯本
- >
名家帶你讀魯迅:朝花夕拾
- >
自卑與超越
- >
【精裝繪本】畫給孩子的中國神話
- >
經典常談
- >
二體千字文
- >
有舍有得是人生
- >
姑媽的寶刀